BY JAN HAAG

INTRODUCTION + POETRY + ESSAYS + MUSIC + TRAVEL + FICTION + TEXTILE ART





66 + 1/4 - 2

IN THE PETERSON ROOM OF THE ALLEN LIBRARY

3-4-00


The elegant Petersen Room had a window as big around as the harvest moon,
bigger, perhaps, as big as the moon near the summit of Beverly Glen that surprised
me so decades ago that, being unable to remember having seen anything so huge,
so round, so luminous hanging in the sky guarding Mulholland Drive's ramparts, I cried aloud
(to myself, being alone) "My God, What's That?!" -- having temporarily (probably at 46 +) forgotten
about full moons that glow in the sky, especially the clear, charcoal-blue,
California, night sky, a little oftener than once a
(out-of-phase, Gregorian) month.

From that window, bigger around (it depends on where one is in the universe)
than the harvest moon, I could see the landscape surrounding Lake Washington,
the winter trees, gray water, gray gloom, the fine gray pinnacles of the University's,
not-yet-century-old, Academic Gothic buildings, and brick and stone, and concrete
paths across the green, rain-drop-enhanced lawns. Four stories seems a great height
when the window comes down past one's knees, and stands twice as high as one's head
making one feel as if one could step out of it, like one gliding through an Oriental Moon-gate
into the hovering mist below, silent and alone.

There were great windows all around, only one of them round, but with vistas superb.
The room was huge and inhabited by luxurious, gold-brown, leather couches and chairs, and an oval
table bigger than the "Moon-gate". No one sat but me. They were drinking wine; I drank orange
juice. Two kind women spoke to me (out of phase) in the academic circle, closed, and fittingly
self-congratulatory over a brilliant, one-day conference, just concluded, about publishing,
cyberspace, an opening sortie in the questioning of publish or perish, of tenure, promotion
criteria, of Capitalistic society where writers get honor, and publishers
get rich off research funded by the Government, the U, and other NGOs.

Well-meaning, I blessed the two women, and all the others, there was hardly a thought
the whole day that I had disagreed with, yet I cried on the way home on the bus, in the rain
having reached that age of discouragement, of sadness-knowing, attraction-repulsion
toward the way things are. I nodded at the miniature daffodils newly out in the twilight
standing ankle-deep in their dark brown mounds with their corona's down, never looking
at the too-big moon or the Moon-gate, though there was one, in an AIDS House near my home.
The Oriental influence is felt deeply along the Pacific Rim in Seattle on the Puget Sound
near the edge of Earth's dominant country

which inhabits a medium-sized continent where people mean well, and most things go wrong.
Why? Probably because some fraction of us wants to live forever, be richer than their neighbor.
But this was ever so -- except for a few (mostly disregarded) experiments in Benevolence, Ahimsa,
Compassion, and now the new experiment in Cyberspace, which, if not suppressed, policed, smothered
by e-Commerce, ranked in or out by the Academic elite, has given to the human race a voice to be heard
by anyone making their free (click here) choice, a place to be published "at-large" without being
sanctioned by the vested interests who have appointed themselves guardians of this civilization
which leads us into despair, perpetual killing, business as usual, nightly starvation on TV.






Copyright © 2000 Jan Haag
ALL RIGHTS RESERVED

Jan Haag may be reached via e-mail: jhaag@u.washington.edu




THE DEVAYANI POEMS

Entertainment

Etruscan Goddess

Father

Feeding Frenzy

Gifts

India

Interstellar Space, 7-5-97

Lung-gom-pas

Micro Paleontology

Nothing

Point of View, 7-5-97

The Roaring Silence of God, 4-3-95

Roots

Ryoanji

Silence

Solstice, 12-21-97

Steady Drizzle

Two Tomatoes



BY JAN HAAG


POETRY + MUSIC + ESSAYS + TRAVEL + FICTION + TEXTILE ART

INTRODUCTION + HAAG'S BIO