PHOTO | NAME | E-MAIL ADDRESS | STATUS | INTERESTS | MUSICAL ACTIVITIES | LINKS |
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Jonathan Adams |
jsa3@u.washington.edu | ... |
... |
... |
... |
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... | Kim Alessi |
alessi@u.washington.edu | Graduate student |
Percussion, taiko, K-5 world music education,
music technology, recording industry. |
Percussion, guitar, sanshin. Member of Northwest Taiko and various performing groups. Curriculum writer, radio host (KSER-Everett), song writing with kids. | |
Robertson Allen |
roballen@u.washington.edu |
Graduate
student in sociocultural anthropology |
Video games,
virtual realities, and online communities. The militarization of
virtual reality. Music of Japan, Scotland, Ireland, and
Appalachia. Video game music. History, nostalgia, and
tourism. Semiotics. |
Highland
bagpipes/shuttle pipes. Irish penny whistle. Classical
piano. Sax. Kazoo. Obsessive collecting of stuff I
can't play. |
Personal
page |
|
Daniel Atkinson |
wabisabi@u.washington.edu | Graduate
Student |
Field
recording. The Hustle. The African-American Diaspora and
mutations thereof in Japan. Kabuki music. Documenting the
process of Minstrelsy and Fetish of African Americans all over the
world. |
As soon as I
find something that can't have a dollar value attached to it, I'll let
you know. But I must admit, I enjoy learning to sing. |
||
Michelle Boss Barba |
mboss@u.washington.edu | M.A. Student |
Mexico, esp. Jalisco and La Huasteca. Spain and the Spanish diaspora to Latin America, esp. Mexico, Argentina, and Cuba. Scotland and Ireland. The Middle East. The relationship of Western art music to folk styles. Bringing music education to underserved youth. A little of everything else, too. | Piano,
guitar, singing, a little viheula, picking up requinto and ney. I
once played cymbals in my university's orchestra...does that make me a
cymbalist? |
www.ethos-inc.org |
|
... |
Brent Bianchi |
bbianchi@u.washington.edu |
Graduate
student |
... |
... |
|
Sabrina Bonaparte |
sabrib@u.washington.edu | M.A. Student | Spanish flamenco and Andalusian folk music. Middle Eastern and Northern African musical traditions, particularly in Judaism and Islam and the coexistence in Spanish music and culture of past and present. Balinese gamelan will always be a passion of mine. | Attempting to learn kendang. Retired horn player (and still rational). | ||
... |
Lesley Braden |
lesleyb@u.washington.edu | ... |
... |
... |
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Rob Carroll |
robcarr@u.washington.edu | Ph.C. | Latin America/Caribbean. Venezuela. West Africa. | Guitar (electric and acoustic). Venezuelan cuatro. | |
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Kim Carter Muñoz |
kcarter@u.washington.edu | Graduate student | Performance contexts. Network societies. Ideologies and modes of making/representing music. Latin America, Mexico. Huapango, Canto Nuevo and Rock en Español. | ... | |
Cody Case |
codyc7@u.washington.edu |
Graduate
student. Currently in Ghana |
African
popular music, esp. Ghanaian highlife and hiplife. African
traditional religion, esp. Asante Akom. African disapora in
American music and vice versa. |
Palmwine
highlife guitar. Clapping. Humming. Watching American
Idol. |
||
|
Claire Connell |
clar@u.washington.edu |
Graduate student |
Nepalese folk/popular music.
Electronic stuff. Traditional Irish ceoil, ol agus craic. |
Mbira. Nepalese
sarangi. Fiddle. |
|
|
Jubilee Cooke |
jubilee@u.washington.edu | Ph.C. | American practice of Hindu deovotional music (bhajan, kirtan, etc.). Foundational period of hip-hop. Sitar. | Learning to play jazz on viola. | |
Pamela Costes |
pgcostes@u.washington.edu | Ph.C. | Philippines and Southeast Asia, esp. Insular Southeast Asia (SEA). Asian American music, society and culture. Cultural studies. | Instruments of the Philippines (Kulintang ens., Philippine Cordillera traditions). Director of the Filipino American Youth Center for Culture and Arts and the Tunog Pilipinong LUMAD ng America (Sound of the Filipino Natives of America) Ensemble. | ||
... |
Chris Davidson |
cdavidso@u.washington.edu |
Undergraduate |
... |
... |
|
|
Rachel Devitt |
redevitt@u.washington.edu | Ph.D. student |
Gynomusicology forever! Gender and sexuality in popular music. Bio-queens and femme gender performance. Filipino pop music and diasporic identity. Transnationalism. Feminist theory. Queer theory. | Throat, currently doing the white girl shuffle in gospel choir. Watching videos, going to shows, and writing music criticism. | |
Andrea Emberly |
amember@u.washington.edu | Ph.C. Currently
in South Africa |
Children's musical cultures. Sesame Street and Takalani Sesame. Children's educational television and popular media. Children's music in rural and urban South Africa. Gynomusicology forever. Representing the leaf. | Trumpet. Tibetan dung chen. Didjeridu. Mbira. Shou nei nei's (almost) all-girl hardcore punk pand. | ||
|
Elizabeth Ferlic |
ferlic@u.washington.edu |
Graduate student |
... |
... |
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Evan Gilman |
gilmandj@u.washington.edu | Undergraduate |
Global music
confluence. Futility of Western music theory. Musical
semiotics. Musical aesthetics. Noise bands and
indeterminist composers. Photography. Asian art
history. dadism. Designers Republic.
Painting. Visual/musical collage. |
Electric
guitar. Guqin (formerly). Mandolin (learning). Turntables.
Suling(learning). Grinding metallophone keys. Jamming around. Jazzy
noise
collective. |
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Mike Grigoni |
mgrigoni@onebox.com | ... |
... |
... |
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Eben Haase |
ehaase@u.washington.edu | M.A. student, Anthropology specializing in Ethnomusicology. | Ugandan music, esp. Lugbara funeral songs. Latin America, esp. Vallenato, Currulao, etc. | Guitar, various instruments. | ||
... |
Sarah Haney |
haneys@u.washington.edu |
Graduate student |
... |
... |
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David Hebert |
davidgabrielmusic@yahoo.com | UW Ethno M.A. alumnus pursuing Ph.D. in Music Education; currently in Japan | East Asia, esp. Japan. Music education, anthropology of education (Ph.D. in-progress: "An Ethnography of a Japanese Schol Band"). Western classical music, jazz, popular music. | Western classical (instrumental conducting, trumpet, composition). Jazz (trumpet, voice, composition). | Personal Profile | |
... |
Terumi Hori |
th2@u.washington.edu |
Undergraduate |
... |
... |
|
Michael Horowitz |
mhorowit@u.washington.edu | Ph.C. |
Klezmer, Irish traditional music, and jazz. Dissertation on Gypsy jazz in progress. | Gypsy jazz guitar with Pearl Django, Hot Club Sandwich, and the
Djangomatics. Leader of the Klezmer rock band Heavy Shtetl. |
DjangoBooks.com |
|
Jill Ann Johnson |
jillann@u.washington.edu | Ph.C. |
The Balkans. Ritual. Historical musicology.
Nationalism and identity. Archives. Applied ethnomusicology. |
Teaching and performing Balkan vocal music. Balkan and Swedish dance. A little guitar. | ||
... |
Setsuko Johnson |
setsulee@u.washington.edu |
... |
... |
... |
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Claire Jones |
jonesc@u.washington.edu | Ph.C. | Ph.D. dissertation in-progress on the recent tradition of Zimbabwean marimbas. | Playing and teaching Shona (Zimbabwean) mbira and marimba. Member of Mahonyera (music of the Shona mbira dzavadzimu). | |
... |
Grant Kidd |
felodese@u.washington.edu |
Undergraduate |
... |
... |
|
|
Peter Klempner |
piank@u.washington.edu |
Undergrad intemporaliter... moonlighter/shiner |
Central Asia. Hardqore.
Performance in ethnomusicology. Everything north of Antarctica and
south of the North Pole. |
Will play anything I can get
my
hands on; trumpet, guitar, cuatro, mbira...bangin, blowin, pluckin,
strummin, howlin, scratchin |
|
Toby Kremple |
tobyk@u.washington.edu | Undergraduate |
Ska/Rocksteady/Reggae/Dub/Soul
in Jamaica and all over the world. Underground hip-hop. Anthropology of
technology. Library science. Elementary education. |
Suling.
Electric and upright bass. The Georgetown Orbits. |
The Georgetown Orbits |
|
... |
Jane Lee |
jane@ghkim.com |
Undergraduate |
... |
... |
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Devon Leger |
dleger@u.washington.edu |
M.A. |
Fiddles. Banjos. Accordions.
Bagpipes. Irish music. Chinese music. La musique quebecoise. La musique
acadienne. Evil jazz. |
Irish fiddle. Quebec fiddle.
Cajun fiddle. A couple banjos and accordions. No bagpipes (yet). |
|
|
Julie Moser |
juliecm@u.washington.edu | Graduate student |
Competitions. Applied
Ethnomusicology. Performance. Latin dancing. |
... |
|
Steve Nickerson |
snickerson@oc.otc.edu | Ph.C. |
Teaches music cultures and history of Western
classical music at Olympic College. |
... | ||
... | Kay Norton |
KayNorton@msn.com | Working on dissertation |
... |
... |
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|
Francisco Orozco |
frorozco@u.washington.edu |
Graduate student |
Music of Mexico and
Venezuela. Role of music in social movements. Chicano musical
expression in the U.S. Capoeira. |
Venezuelan cuatro, bandola,
jarana, huapanguera, charango, flamenco guitar, marimbol, berimbau,
percussion, squeaky chair. |
|
|
Peter Park |
petepark@u.washington.edu | M.A. |
... | ... | |
|
Yu Qi |
cyuqi@u.washington.edu |
Graduate student |
East Asia (China). Latin
America. NW Africa. Western classical music. Popular music. |
Professional guzheng (Chinese
zither) performer and teacher. Piano. |
|
... |
Jessica Quintero |
jessiq@u.washington.edu |
Graduate student |
... |
Voice. | |
... | Mark Renner |
rennermark@hotmail.com | Currently in Indonesia | ... | ... | |
Monica Rojas |
rojasm@u.washington.edu | Ph.C. in Sociocultural Anthropology, specializing in Ethnomusicology. | African diaspora in Latin America & the Caribbean, especially Peru, Brazil and Cuba. | Afro-Peruvian music, esp. coastal genres. Percussionist, dancer. | ||
... |
Maiensy Sanchez |
msanch@u.washington.edu |
Anthropology |
... |
... |
|
Kevin
Schattenkirk
|
kschatt13@earthlink.net |
... |
... |
... |
||
... |
Derick Segale |
seegman@u.washington.edu |
Undergraduate |
... |
... |
|
Gabe Skoog |
gskoog@u.washington.edu | Tipsy but can still drive | Middle Eastern Music, from Turkey to Morocco.
The Rock and Roll Diaspora. Cosmopolitan music. |
discontinued until further notice. |
||
Jason Solam |
jsolam@u.washington.edu | M.A. student | Latin America. Cuba. American popular music. Music education. | Guitar, bass, whatever you got. | ||
|
Amanda Soto |
sotoa@u.washington.edu |
M.A. student |
West African music. Conjunto
music from South Texas. Integrating ethnomusicology into the music
education classroom. |
Flute - woodwind/piano. West
African Percussion Ensemble. Learning Persian Classical Music - ney and
vocals. |
|
|
Jabali Stewart |
ejs2@u.washington.edu | Ph.D. student | Music as it relates to ritualized combat. Trinidadian Orisha music's relationship to Trinidad. The 'Afropunk experience.' | I'm a musical whore. Period. | |
Gabe Strand |
gds@u.washington.edu | Ph.D. student | Indonesia. The Mekong River. NW
Coast Cultures. Rivers, ecological imagination and music.
Visual ethnomusicology. Documentary. |
Balinese gambuh and gender wayang.
Banjo, singin' and knee-slappin'. |
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... | Endo Suanda |
esuanda@indo.net.id | Currently in Indonesia | ... |
... |
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Michiko Urita |
urita@u.washington.edu |
Graduate student |
Hindustani music as
Hindu/Muslim collaboration and harmony. Nirguna bhakti
poetry. South Asian languages (Hindi, Bengali, and Urdu).
Aromatherapy. World peace. |
Japanese chorus. Sitar.
Capoeira. |
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... |
Tina Marie Valdez |
tvaldez@u.washington.edu |
... |
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Taryn Webber |
trwebber@hotmail.com | ... |
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Lou Winant |
lwinant@u.washington.edu | Ph.C. |
Electronic music, esp. jungle/drum'n'bass. DJ and radio culture. Subcultures and clubcultures. Studio as instrument. History of American popular music. Texas-Mexican conjunto (M.A. thesis on the bajo sexto). Chinese and Chinese-American music. Globalization. Music and identity. | Plucked strings: 12-string guitar, bajo
sexto, pipa, bass. Native American cedar flute. Hand drums.
Various gathered instruments in various
combinations. Beats'n'samples. Computer-made sounds, blends, and
mixes (Reason, Traktor DJ Studio). |
thecuriousman.com |
|
... | Vilson Zattera |
zattera@u.washington.edu | ... | ... | ... |
LAST UPDATED 10/26/2005 BY LOU WINANT.
EMAIL COMMENTS AND PROBLEMS TO: LWINANT@U.WASHINGTON.EDU